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Jazz Releases

Jazz Releases
CD review – Billy Jenkins - I am a Man from Lewisham
From the bluesy growl of the opening title-track, through a series of rousing, eccentric instrumentals, to the closing 'Throw Them Blues in the Recycling Bin' featuring the Voice of God Collective Junior League Choir, this is quintessential Billy Jenkins: teasingly satirical, genre-melding, passionate, deeply rooted in South East London.
CD review – Stefano Battaglia / Michele Rabbia  Pastorale
Pianist Stefano Battaglia is something of an old hand at the percussion–piano freely improvising duo, having collaborated in the early 1990s with Tony Oxley and Pierre Favre, and with his current partner, fellow Italian Michele Rabbia, on an earlier ECM release, Re: Pasolini. On these eleven pieces, which range from deft interpretations of prearranged material (the musical prayer 'Antifona Libera', the wisps of melody that inform the title-track) through Maghrebi-influenced improvisations ('Cantar del Alma', 'Sundance in Balkh')...
Gig review – Martin Carthy - Tuesday 2 March
The world of traditional folk music, characterised by trickery, down-to-earth wit and magic, that is illuminated by a Martin Carthy concert is perhaps best exemplified by the plot of one of the most striking songs he included in this mesmerising two-hour performance: 'Willie's Lady'.
CD review – Jason Adasiewicz's Rolldown - Varmint
Locating the vibrant, freewheeling music on this, Rolldown's second album, by identifying its roots in the freer 1960s Blue Note recordings (Andrew Hill, Eric Dolphy, Sam Rivers et al.) and in its home city Chicago's improvised music scene (Art Ensemble, AACM, Sun Ra) provides a useful shortcut for those new to the band, but might leave them unprepared for the thoroughly contemporary nature of Jason Adasiewicz's compositions, which bristle with all the viscerally affecting energy of the current avant-rock scene in which he used to operate.
Gig review – Mike and Kate Westbrook - Thursday 25 February – 606 Club
'Allsorts' is the title of the Westbrooks' latest duo album (see CD Reviews), and the two sets of music they are currently playing on a short UK tour are comprised mainly of songs that appear on that asc CD. Like the album, their first set began with Harold Arlen/Ted Koehler's 'Stormy Weather', its touching vernacular exploitation of the pathetic fallacy making it a perfect vehicle for Kate's subtly dramatic delivery.

Classic Releases

Classic Releases
Leonard Bernstein
Mass (1971) Jubilant Sykes, baritone (The Celebrant) Morgan State University Choir; Peabody Children’s Chorus Baltimore Symphony Orchestra under Marin Alsop Naxos By now, almost all our readers must have heard of this sensational recording and the string of awards it has garnered in the classical industry. After a long period of benign neglect, Leonard Bernstein’s acclaimed (or notorious?) masterwork has [...]
Lewis Spratlan
In Memoriam Soloists, Valley Festival Orchestra and Amherst College Concert Choir Lewis Spratlin conducting Streaming: Quartet for Piano and Strings Yvonne Lam. Violin; David Kim, viola; Christian-Pierre La Marca, cello; Xiang Zou, piano Navona Records “Sun, Sun, you bring us light. Never can we pay for the blessings that you give to us.” Thus begins a Mayan prayer to the Sun [...]
Alberto Ginastera
String Quartets (Complete) Ensö Quartet, with Lucy Shelton, soprano (Quartet 3) Naxos Argentine composer Alberto Ginastera (1916-1983) listed three periods in his development as “Objective Nationalism” (1934–1948), “Subjective Nationalism” (1948–1958), and “Neo-Expressionism” (1958–1983). His best known works, the ballets Panambí and Estancia, are from the first period, in which he consciously used the folk music of his own [...]
Vivian Houle: Treize
Vivian Houle, vocalist Treize Drip Audio Mandrake (with Peggy Lee, cello) Molehills mumps (with Lisa miller, piano) Paperthin (with Coat Cooke, saxophone) Gratte-moi le dos (with Kenton Loewen, drums) Quiet eyes (with Ron Samworth, guitar) It’s not the moon (with Chris Gestrin, analog keyboards and live sampling) Betters and bads (with Jesse Zubot, violin) Finely tuned is my heart (with Jeremy Berkman, [...]
Tom Johnson on New World
Tom Johnson Rational Melodies New World CD 80705-2 When he was a critic at the Village Voice in the 1970s, Tom Johnson (b. 1939) was one of the first writers to apply the term ‘minimalism’ to music. As time has moved on, many composers originally associated with minimalism have branched out stylistically; while certain gestural signatures may remain, [...]

News Categories

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String Explorations by the Real Vocal String Quartet

Monday, 08 February 2010 05:48

Real Vocal String Quartet

 

Real Vocal String Quartet (Flower Note Records, 2010)

 

Although there are a lot of string quartets out there, the all-female Real Vocal String Quartet stands out because of its beautiful combination of violins, cello and viola with polyphonic vocals performed by the instrumentalists. Irene Sazer (violin and vocals), Dina Maccabee (viola and vocals), Alisa Rose (violin and vocals), and Jessiva Ivry  (cello and vocals) take string ensemble chamber music and blend it with American bluegrass, Brazilian melodies written by the legendary Pixinguinha, Balkan influences, African rhythms inspired by Mali's Tinariwen and jazz improvisation.

 

“There is a perception that ‘new music’ for classically trained musicians needs to be difficult or inaccessible,” says Dina Maccabee, a violist in the group. “We are all totally into challenging ideas but we also like pop music. And we feel like just because you have a highly trained skill set doesn’t mean you need to play obscure music.”

“There are many neuroses that come with being a classical violinist; perfectionism among them,” explains Irene Sazer, an original member of the Turtle Island String Quartet and founder of Real Vocal String Quartet. “Often in the pedagogy, there’s a real meanness. There’s a good and a bad, a right and a wrong. You succeeded, you failed. It’s a very restrictive box that I’ve been working on breaking out of my whole life. One of my goals and needs in life is to create an ensemble where there is room for everybody both personally and creatively. Key to that is ample room for exploration.”

“I find myself most fascinated and soothed by rhythmic texture these days,” said Sazer. “I was listening to these intricate rhythmic sections and the scintillating vocals of African music.”

“We’re playing all these Western classical instruments and we are all like Jewish girls,” Maccabee laughs. “But there is something about that combination… It’s a little bit trance and really rich in rhythm; if maybe more simple in terms of harmony. Things don’t move around a lot. The richness is in the timbres and the rhythmic element and we all want to explore that. Rather than a jazz tune with one hundred million chords which is a different kind of complexity. Strings and voice and hands and feet. It’s all about layers of sounds and the color of sound.”

Real Vocal String Quartet shows us a versatile mix of chamber music with world music by four outstanding instrumentalists.

Buy the album: Real Vocal String Quartet

 

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