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Jazz Releases

Jazz Releases
CD review – Billy Jenkins - I am a Man from Lewisham
From the bluesy growl of the opening title-track, through a series of rousing, eccentric instrumentals, to the closing 'Throw Them Blues in the Recycling Bin' featuring the Voice of God Collective Junior League Choir, this is quintessential Billy Jenkins: teasingly satirical, genre-melding, passionate, deeply rooted in South East London.
CD review – Stefano Battaglia / Michele Rabbia  Pastorale
Pianist Stefano Battaglia is something of an old hand at the percussion–piano freely improvising duo, having collaborated in the early 1990s with Tony Oxley and Pierre Favre, and with his current partner, fellow Italian Michele Rabbia, on an earlier ECM release, Re: Pasolini. On these eleven pieces, which range from deft interpretations of prearranged material (the musical prayer 'Antifona Libera', the wisps of melody that inform the title-track) through Maghrebi-influenced improvisations ('Cantar del Alma', 'Sundance in Balkh')...
Gig review – Martin Carthy - Tuesday 2 March
The world of traditional folk music, characterised by trickery, down-to-earth wit and magic, that is illuminated by a Martin Carthy concert is perhaps best exemplified by the plot of one of the most striking songs he included in this mesmerising two-hour performance: 'Willie's Lady'.
CD review – Jason Adasiewicz's Rolldown - Varmint
Locating the vibrant, freewheeling music on this, Rolldown's second album, by identifying its roots in the freer 1960s Blue Note recordings (Andrew Hill, Eric Dolphy, Sam Rivers et al.) and in its home city Chicago's improvised music scene (Art Ensemble, AACM, Sun Ra) provides a useful shortcut for those new to the band, but might leave them unprepared for the thoroughly contemporary nature of Jason Adasiewicz's compositions, which bristle with all the viscerally affecting energy of the current avant-rock scene in which he used to operate.
Gig review – Mike and Kate Westbrook - Thursday 25 February – 606 Club
'Allsorts' is the title of the Westbrooks' latest duo album (see CD Reviews), and the two sets of music they are currently playing on a short UK tour are comprised mainly of songs that appear on that asc CD. Like the album, their first set began with Harold Arlen/Ted Koehler's 'Stormy Weather', its touching vernacular exploitation of the pathetic fallacy making it a perfect vehicle for Kate's subtly dramatic delivery.

Classic Releases

Classic Releases
Leonard Bernstein
Mass (1971) Jubilant Sykes, baritone (The Celebrant) Morgan State University Choir; Peabody Children’s Chorus Baltimore Symphony Orchestra under Marin Alsop Naxos By now, almost all our readers must have heard of this sensational recording and the string of awards it has garnered in the classical industry. After a long period of benign neglect, Leonard Bernstein’s acclaimed (or notorious?) masterwork has [...]
Lewis Spratlan
In Memoriam Soloists, Valley Festival Orchestra and Amherst College Concert Choir Lewis Spratlin conducting Streaming: Quartet for Piano and Strings Yvonne Lam. Violin; David Kim, viola; Christian-Pierre La Marca, cello; Xiang Zou, piano Navona Records “Sun, Sun, you bring us light. Never can we pay for the blessings that you give to us.” Thus begins a Mayan prayer to the Sun [...]
Alberto Ginastera
String Quartets (Complete) Ensö Quartet, with Lucy Shelton, soprano (Quartet 3) Naxos Argentine composer Alberto Ginastera (1916-1983) listed three periods in his development as “Objective Nationalism” (1934–1948), “Subjective Nationalism” (1948–1958), and “Neo-Expressionism” (1958–1983). His best known works, the ballets Panambí and Estancia, are from the first period, in which he consciously used the folk music of his own [...]
Vivian Houle: Treize
Vivian Houle, vocalist Treize Drip Audio Mandrake (with Peggy Lee, cello) Molehills mumps (with Lisa miller, piano) Paperthin (with Coat Cooke, saxophone) Gratte-moi le dos (with Kenton Loewen, drums) Quiet eyes (with Ron Samworth, guitar) It’s not the moon (with Chris Gestrin, analog keyboards and live sampling) Betters and bads (with Jesse Zubot, violin) Finely tuned is my heart (with Jeremy Berkman, [...]
Tom Johnson on New World
Tom Johnson Rational Melodies New World CD 80705-2 When he was a critic at the Village Voice in the 1970s, Tom Johnson (b. 1939) was one of the first writers to apply the term ‘minimalism’ to music. As time has moved on, many composers originally associated with minimalism have branched out stylistically; while certain gestural signatures may remain, [...]

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Quintessential Youssou N'Dour

Sunday, 07 February 2010 17:54

Youssou N'Dour

 

Music From the Motion Picture I Bring What I Love (Nonesuch, 2010)

The critically acclaimed documentary I Bring What I Love, directed by Elizabeth Chai Vasarhelyi, details the musical and spiritual journey of singer, songwriter and Senegalese pop icon Youssou N'Dour after the controversial Nonesuch release of his stunning 2004 Grammy Award-winning Egypt, but the easy success of the film is certainly the soundtrack.

Oscilloscope Laboratories is expected to release the DVD in April of 2010 and hopefully we'll get a sneak look at the film, but the Nonesuch release of the Music From the Motion Picture I Bring What I Love is a sweet consolation. Pooling tracks from Mr. N'Dour's career, the soundtrack I Bring What I Love is quintessentially N'Dour, full of the singer's bright, intoxicating easy swing and unpretentious grace.

 

Religious leaders in Senegal might have taken a dim view of the Sufi praises Mr. N'Dour composed with Fathy Salama on Egypt, but that's just a matter of opinion and isn't always true that a good deal of the accusations of blasphemy are because the critics are looking for something to take offense to. It takes only a brief listen to Mr. N'Dour to discover that his unadorned joy is real and heartfelt. I Bring What I Love proves that.

Opening with the stunning title track "I Bring What I Love," written by Mr. N'Cour, Martin Davich and the documentary's composer James Newton Howard, surrounds Mr. N'Dour's freefall vocals with piano, acoustic guitar, keyboards, flute and percussion, in a hymn like devotional. Following the title track is the sweeping easy groove guitar and brass on the dishy "Immigres Bitim Rew."

 

N'Dour fans are treated to the breezy "Birma," the elegance of Mr. N'Dour's vocals against Baboulaye Sissoko on kora and Adama Sissoko on balaphone on "Yama" and the haunting live version of "Mame Bamba" with Fathy Salama Orchestra. Other gems include "Atou Reer Na," "Li Ma Wessu" and "New Africa." "Yonnent," another original track for I Bring What I Love, features N'Dour and singer Moustapha Mbaye, known as "the Prophet's Griot." This track shimmers with all the goodness that is N'Dour.

The music on Music From the Motion Picture I Bring What I Love is all the incentive the documentary needs any Youssou N'Dour fans need. As fans and critics we often forget the price that is often paid by musicians. The music snags something in the brain and uplifts us, but the journey for the artist can be anything but uplifting. Lucky for us that there are Youssou N'Dours out there braving the storm.

 

Buy the album:

 

  • In North America: Music From the Motion Picture I Bring What I Love
  • In Europe: Music From the Motion Picture I Bring What I Love

 

Preorder the DVD: I Bring What I Love

 

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