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Jazz Releases

Jazz Releases
CD review – Billy Jenkins - I am a Man from Lewisham
From the bluesy growl of the opening title-track, through a series of rousing, eccentric instrumentals, to the closing 'Throw Them Blues in the Recycling Bin' featuring the Voice of God Collective Junior League Choir, this is quintessential Billy Jenkins: teasingly satirical, genre-melding, passionate, deeply rooted in South East London.
CD review – Stefano Battaglia / Michele Rabbia  Pastorale
Pianist Stefano Battaglia is something of an old hand at the percussion–piano freely improvising duo, having collaborated in the early 1990s with Tony Oxley and Pierre Favre, and with his current partner, fellow Italian Michele Rabbia, on an earlier ECM release, Re: Pasolini. On these eleven pieces, which range from deft interpretations of prearranged material (the musical prayer 'Antifona Libera', the wisps of melody that inform the title-track) through Maghrebi-influenced improvisations ('Cantar del Alma', 'Sundance in Balkh')...
Gig review – Martin Carthy - Tuesday 2 March
The world of traditional folk music, characterised by trickery, down-to-earth wit and magic, that is illuminated by a Martin Carthy concert is perhaps best exemplified by the plot of one of the most striking songs he included in this mesmerising two-hour performance: 'Willie's Lady'.
CD review – Jason Adasiewicz's Rolldown - Varmint
Locating the vibrant, freewheeling music on this, Rolldown's second album, by identifying its roots in the freer 1960s Blue Note recordings (Andrew Hill, Eric Dolphy, Sam Rivers et al.) and in its home city Chicago's improvised music scene (Art Ensemble, AACM, Sun Ra) provides a useful shortcut for those new to the band, but might leave them unprepared for the thoroughly contemporary nature of Jason Adasiewicz's compositions, which bristle with all the viscerally affecting energy of the current avant-rock scene in which he used to operate.
Gig review – Mike and Kate Westbrook - Thursday 25 February – 606 Club
'Allsorts' is the title of the Westbrooks' latest duo album (see CD Reviews), and the two sets of music they are currently playing on a short UK tour are comprised mainly of songs that appear on that asc CD. Like the album, their first set began with Harold Arlen/Ted Koehler's 'Stormy Weather', its touching vernacular exploitation of the pathetic fallacy making it a perfect vehicle for Kate's subtly dramatic delivery.

Classic Releases

Classic Releases
Leonard Bernstein
Mass (1971) Jubilant Sykes, baritone (The Celebrant) Morgan State University Choir; Peabody Children’s Chorus Baltimore Symphony Orchestra under Marin Alsop Naxos By now, almost all our readers must have heard of this sensational recording and the string of awards it has garnered in the classical industry. After a long period of benign neglect, Leonard Bernstein’s acclaimed (or notorious?) masterwork has [...]
Lewis Spratlan
In Memoriam Soloists, Valley Festival Orchestra and Amherst College Concert Choir Lewis Spratlin conducting Streaming: Quartet for Piano and Strings Yvonne Lam. Violin; David Kim, viola; Christian-Pierre La Marca, cello; Xiang Zou, piano Navona Records “Sun, Sun, you bring us light. Never can we pay for the blessings that you give to us.” Thus begins a Mayan prayer to the Sun [...]
Alberto Ginastera
String Quartets (Complete) Ensö Quartet, with Lucy Shelton, soprano (Quartet 3) Naxos Argentine composer Alberto Ginastera (1916-1983) listed three periods in his development as “Objective Nationalism” (1934–1948), “Subjective Nationalism” (1948–1958), and “Neo-Expressionism” (1958–1983). His best known works, the ballets Panambí and Estancia, are from the first period, in which he consciously used the folk music of his own [...]
Vivian Houle: Treize
Vivian Houle, vocalist Treize Drip Audio Mandrake (with Peggy Lee, cello) Molehills mumps (with Lisa miller, piano) Paperthin (with Coat Cooke, saxophone) Gratte-moi le dos (with Kenton Loewen, drums) Quiet eyes (with Ron Samworth, guitar) It’s not the moon (with Chris Gestrin, analog keyboards and live sampling) Betters and bads (with Jesse Zubot, violin) Finely tuned is my heart (with Jeremy Berkman, [...]
Tom Johnson on New World
Tom Johnson Rational Melodies New World CD 80705-2 When he was a critic at the Village Voice in the 1970s, Tom Johnson (b. 1939) was one of the first writers to apply the term ‘minimalism’ to music. As time has moved on, many composers originally associated with minimalism have branched out stylistically; while certain gestural signatures may remain, [...]

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Malian Star Ramata Diakite Dies at 35

Thursday, 05 November 2009 18:31

Ramata Diakite, regarded as one of the most talented singers from the Wassulu region of Mali, died October 30 in Burkina Faso. She was 35. "During the past year, she had been battling a chronic illness, and although she appeared to be getting better, she passed in Burkina Faso on Friday, October 30th,' said her manager Erich Ludwig. "She had recently traveled to Burkina [Faso]. Her body is being brought back to Mali under the direction of the Malian Prime Minister."

Ramata Diakite Ramata Diakite was born in 1976 in Madina Diansa, in the Wassulu region of southern Mali. She became a star in Mali at a young age. In 1999, kora master Toumani Diabate invited her to participate in Taj Mahal's Kulanjan project. That opportunity opened the doors to other collaborations with American musicians. She recorded Maba in 2006 with Malian and American musicians in New York.

 

In 2006, she won the Tamani d’Or (Mali's top music award) for Best Female Artist of the Year. In recent years, Ramata participated in various recording projects, including Dee Dee Bridgewater's Red Earth (2007) and What About Me? (2009), the second album by UK duo 1 Giant Leap (Jamie Catto and Duncan Bridgeman).

Her discography included the following recordings: Artistes (1995), Na (1998), Confirmation (2000), Djonya (2003), Djonya (2003), I Danse (2004), Maba (2006).

 

Ramata had been working on a new recording. "Over the past couple of years, we worked with her on conceptualizing and recording a more traditional album, which is yet to be released," said Erich Ludwig. "We had hoped to have her in the US for a tour in 2010."

 

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